F J E L L R O S E
ARTISTS IN FOCUS
Anna V. Dyrset
Anna (b. 1956, Iceland) received her formal training in drawing and visual arts in Iceland and Denmark. A multifaceted creator, she has authored and illustrated numerous children’s books published in Iceland, while also dedicating over two decades to her tenure at the Reykjavík City Library.
Drawing from her extensive journeys across the Icelandic wilderness, Anna’s photography captures the raw essence of nature and those fleeting moments that command the observer's eye. Anna's lens seeks the pulse of the Icelandic landscape, documenting the profound beauty of nature and the serendipitous details of the wild.
Reflection
A peaceful moment on a beach near the village of Djúpivogur in Southeast-Iceland.
June 2025
Rusting on a Beach
A trawl bobbin stranded on a beach in Iceland, with a glacier visible in the background through it.
June 2025
Nature’s Eye
A natural well in the mountains in South Iceland.
September 2025
Lady of the Rocks
In the harsh environment, small flowers grow and light up the area. This pyramidal saxifraga grew out of a rock in Southeast Iceland.
June 2025
Eider Duck Nesting
The eider duck forest in the photo was nesting on a walking path. In the background, Iceland’s highest glacier can be seen, with icebergs drifting toward the sea.
June 2022
Alpine Gentian
In cold temperatures, small, brightly colored flowers grow. This blue alpine gentian grew in Iceland’s vast glacial sands.
June 2023
Nicholas Allen
I’m drawn to landscapes where light and form come together in ways that feel both simple and unexpected. Rather than chasing iconic viewpoints, I look for quieter compositions, layered shapes, soft transitions, and moments where a scene begins to abstract into texture and tone.
Many of these images are made in places that feel vast and overwhelming, but what interests me most are the smaller, more refined details within them. Subtle shifts in light, the way shadows carve through a landscape, or how colour softens at the edges of a scene.
Artist Statement：
For me, photography is about slowing down enough to notice those moments - and creating images that feel calm, balanced, and quietly immersive.
Shaped by Light
Death Valley, California
Arriving at Zabriskie Point before dawn, the landscape was barely visible. Just faint outlines in low light. As the sun rose, the ridges began to separate. The shapes became clearer, but still felt subdued.
What drew me in was the balance. Light and shadow working together, neither taking over. This frame comes from a moment where the scene felt resolved. No
Drift
White Sands, New Mexico
White Sands felt different straight away. Quieter and more abstract than any dune landscape I had seen before. I wandered without direction, moving from ridge to ridge as the light softened.
At first, nothing quite translated. Then the scene opened up. A sea of gypsum dunes, unlike anything I had seen. A single ridge holding its shape, the foreground falling away. What
Within Light
Antelope Canyon, Arizona
My first time in a slot canyon felt unfamiliar. The scale compressed, and the light did most of the work.
Looking upward, it filtered through narrow openings and traced the curves of the sandstone. The colours shifted constantly. Pinks, browns, yellows, and soft purples. Often more vivid through the lens than to the eye. This frame stayed with me. A moment where
Still Ground
Monument Valley, Arizona/Utah
Returning to Monument Valley, I made the trip to Hunts Mesa to experience it from above. By sunset, it felt completely still. The scale and silence hit straight away.
From that vantage point, the valley stretched endlessly. Formations rising out of the desert floor, distant but somehow within reach. As the light changed, the landscape separated into layers,
Fading Light
Grand Canyon, Arizona
The Grand Canyon is hard to capture. It is so vast that it rarely settles into a single frame. At Desert View, I found myself drawn into the distance rather than the foreground.
As the light faded, the scene simplified. Layers of ridges receding into shadow, each one softer than the last.
March 2026
Flow
Coyote Buttes, Arizona
South Coyote Buttes felt open and hard to read. The formations were spread out, with no clear direction.
I moved through slowly, choosing a few areas to focus on rather than trying to take it all in. What drew me in were the lines. Following the curves and natural patterns in the rock. Even in harsh light, the textures held up.
November 2012
Held Light
Uluru, Northern Territory
Uluru at sunset doesn’t fade. It lingers.
The light stays and shifts for longer than you expect.
On returning years later, I found myself drawn less to the obvious moments, and more to these quieter changes.
As the light settled, the scene softened. Less about contrast, more about balance.
May 2017
Last Light
Joshua Tree, California
We had packed up and were heading back when the sky changed. The last light caught the clouds and held, turning the horizon into something unexpected.
Cameras came back out. The Joshua trees fell into silhouette against it. It was brief, and completely unplanned.
April 2011
Afterlight
Kruger National Park, South Africa
Taken at the end of a long day in Kruger, after the sun had already set.
Driving back in near darkness, the light lingered. Soft, muted, almost suspended.
We stopped briefly as the trees fell into silhouette and the landscape reduced to tone and shape.It didn’t last long, but it held.
September 2019
Soft Monument
Monument Valley, Arizona/Utah
Monument Valley is instantly recognisable, but this time I was drawn to something quieter.
In the softer light, the colours muted and the contrast fell away. The Mittens remained, but felt less dominant.
The space around them became part of the frame. Stripping it back like this made the scene feel more immersive.
March 2026